Archive for September, 2006
Getting Real
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Are you hung up on real vs abstract ? If this false concept is giving you goose bumps, see what the Skin Horse knows that might help.
“Getting Real”
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“What is REAL ?” asked the Velveteen Rabbit one day, when they were lying side by side near the nursery fender, before Nana came to tidy the room. “Does it mean having things that buzz inside you and a stick out handle
There is a hugely crippling concept of art lurking about that art is either realistic or abstract. This red herring divides two camps in mutual antagonism, and diverts a heck of a lot of creative energy away from where it wants to go.
If a picture of a flower is realistic, then it’s fake isn’t it ? Everybody knows it’s paint on canvas, or similar. Everybody knows it’s two dimensional posing as three.Â
Then, if the purpose is to “look just like a flower”, what’s it for ? Is it to make the artist feel she has created a flower, like God ? Is it to cause viewers to say : “Oh, you’ve captured the flower,” like capturing a giraffe for the zoo ?
The original definition of abstract art was that it must not represent anything natural; no organic forms.  Â
Even so, an abstract painting does represent something. If it has a title, or even if it’s untitled, it was produced from the hand and heart of an artist, who chose the colours, the lines, the feeling inherent in the work. It represents a subject important enough to the artist that he made it, and couldn’t help but transmit his inner meanings into the paint.
Even elephants make paintings. . . that sell ! Are they abstract or realistic ?
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“Real isn’t how you’re made,” said the Skin Horse. “It’s a thing that happens to you. When a child really loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.”
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Effective abstracts aren’t so much abstract as original. Some abstracts do conjure up realistic things, and evoke real feelings.
Effective representational work expresses profound and real meanings too. Some artists paint “realistic” works that don’t look at all real, because their purposes are shallow.Â
But look at the finest realistic art, by a grand master, and you’ll see there’s a lot of abstraction there. They are two dimensional canvasses - height + width - suggesting a four dimensional subject - height + width + depth + time. A Cezanne apple is not a real apple, but a grand abstraction.
All art is abstract.
All art is representational.
Whether an image is made in its visual exactness or its symbolic equivalent, it involves an elaborate sequence of operations to manifest.
Effective realistic art doesn’t begin with an object, say a tree. It begins with an artist’s fascination with a tree. Its goal is not to recreate the tree, but to portray a concept with a tree as metaphor.Â
The things that move people have no single physical form, but they impart to physical things the qualities of meaning that move us.
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“Does it hurt ?” asked the Rabbit.
“Sometimes,” said the Skin Horse, for he was always truthful. “When you are REAL you don’t mind being hurt.”
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Sometimes the discovery of what happens to us as we encounter the world can be painful. Yet it is the active searching for what things do mean to us that gives any art that deserves a second glance its fresh, newborn look.Â
Whether figuratively or abstractly formed, art shows the act of a person just uncovering something of great personal importance.
Want to give it a try yourself ?
Take out something you’ve made earlier, and instead of looking to see how realistic or not the images are, see it from your heart.
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Remain curious and focus on any unresolved area, which you don’t understand. Let your eyes go “soft focus” without trying to understand it.Â
Does it remind you of anything in your life, either pleasant or uncomfortable ? Something was transmitted by you that wants to be recognized.
Sometimes this can sting. “Mistakes” are only deemed so by your consent. Bothersome passages could also be seen as blessings in disguise. (The French word “blesser” means to wound.)Â
Discovering something unexpected, revealing an emotionally charged issue, can be like tearing off a bandaid to reveal an old would to the air - surprising, yet necessary for full healing. If you can’t feel it, how will you know when it has healed ?
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“Does it happen all at once like being wound up,” he asked, “or bit by bit ?”
“It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.”
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Let’s expose our old wounds to the light of day, when we’re ready, over and over again, until they are healed. Let us redirect the energy spent on categorizing outselves.Â
Using art as a healing process, we are seeking the light, greater clarity, expanding our consciousness, growing deeper into new meanings of our presence in the world.
Let us take the risk of becoming “realer”, more authentically us. Any shabbiness we develop along the way is really badges of experience, uniquely ours.
(from “The Velveteen Rabbit”, by Marjorie Williams.)
Liked it ? Bored you ? Drop me a line.
Celeste Varley
“Oh ! for a horse with wings.” Shakespeare
Let our hearts sing and take flight !
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No commentsAm I good enough ?
Saddle up friends ! Here come Fresh Horses -
Do you sometimes sabbotage yourself with doubts of competence ? Do you think success might be less scary ?
There are 100 legs waiting to help you sort out this dilemma
in this article.Â
“Am I good enough ?”Â
Many artists haunt themselves from time to time with this sort of lethal question.  Am I good enough ?  Am I talented enough ?  Am I skilled enough ?  Am I creative enough ?  Am I schooled enough ?  Am I smart enough ?  Am I * * * * enough ?
You’re damned if you do, and you’re damned if you don’t. Reminds me of the question: “Have you stopped beating your wife yet ?”
How can you answer this ? If you say “Yes”, you’ve admitted to beating her at some time. If you say “No”, it’s even worse - you’re still doing it. We aren’t so cruel that we would ever ask someone else that kind of question. So why do we ask ourselves ?
“Am I good enough ?” is a self-sabbotaging question to ask at the beginning of a creative venture. There are always two answers, both true and both wrong.
If it’s “No !” then you are never good enough, talented or skilled enough, because there’s always more you can be. If you were smarter, you would do different and probably better things.
Compared with your potential, you could probably be better. Compared with at least someone else on the planet, you probably aren’t the best. Face it — sad, but true.
To answer “Yes !” is to say that you are good enough. At any one time, you can only be exactly who and what you are. This will never change.
If you were better, then you’d be better, but still exactly who you are. This will be true until, and possibly after, your dying day.
And while you wait because you‘re lacking in some way, life is marching onward. But you aren’t. And time is running out for all of us.
All these doubts about our imperfections show that our intellect is trying to take charge of the unknowns in our lives. Trouble is the mind cannot grasp the unknown. This isn’t its job.
Because there’s no way for the mind to do this, it starts to get scared and worried. Reminds me of the Ogden Nash verse:
The centipede was happy, quite
until one day in fun
he lay distracted
in the ditch
considering
how to run.
So there’s you lying in the ditch worrying over which one of your 100 legs to put down first. Until you think about it, it comes perfectly natural.
A centipede or a child doesn’t puzzle to distraction over how to run, or draw, or paint. They just do it with their whole selves. . . Boom. . . Like that.
What would happen if you were to let your hand and heart have its way, take the lead, direct the show ? If you were to loosen the reins on your conscious mind, just a little . . . or maybe a bit more . . . do your shoulders get tense at the thought ? Â
Do bugs give you the willies ? Set your mind to work picturing a cute, Disney like centipede from Alice in Wonderland, with maybe a different coloured shoe on each foot. Then the rest of you could take on the task at hand.
— Look at something you’ve made that doesn’t seem good enough. If you dare, with your ego mind otherwise occupied, you might become interested in what your “mistakes” look like, what they hold for you to find, instead of erasing them. Study the marks that repel you, or that you reject out of hand. Try to appreciate what you don’t identify with.
— Pretend you’re the teacher and this is someone else’s offering. Why are we uncomfortable with the products of our own hands and hearts ? What powers do these “unacceptable” marks hold that we will not or cannot use ? How far out of the boundaries of your comfort zone do you dare to travel, before reining yourself in ? What do things look like on the other side of your boundaries ?
— What does it feel like to trespass on (self) forbidden territory ? Maybe your boundaries aren’t quite as rigid as you took them to be. This could be a chance to dally in an indiscretion or a secret one night stand, you’ve only ever dared dream about. Getting intrigued yet ?
If you did feel good enough, smart enough, talented and creative enough, how would you proceed ?
More useful than “Am I good enough ?” ask yourself : “Am I ready enough ?”
*Â Am I ready to dive deeper into the seeds of wisdom within ?
* * Â Am I ready to take a chance on me ?
* * *Â Am I ready to dance with the universe ?
Did this newsletter tickle your fancy ? Bug you ?
Drop me a line.
Celeste Varley
“Oh ! for a horse with wings.” Shakespeare
Let our hearts sing and take flight !
http://www.heartsongstudio.com
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No commentsTurning Humdrum into Humming
Fresh Horses -
Do you keep making things the same old way ?Â
If you’d like to turn humdrum into humming, and become
realer, wiser, and deeper as well, check out this article.
“Turning humdrum into humming”
Have you begun to feel that your work is pretty mediocre ? When you start on a new work, do you have a finished picture in mind for how it should look ? Do you set about the same procedure every time ?
This methodical approach is predictable, relatively risk free and safe, but also in time, can become boring as wet cardboard.
Are you ready for more excitement ? Perhaps a little adventure to change from humdrum to humming
Most people have had to drive to work, at one time or another. You usually take the same route every day. Even if you change the route a bit, it still gets you there at the appointed time.
Driving to work is about as predictable and humdrum as it gets. Sometimes your mind runs over something that happened outside work, but mostly you think about what’s happening at work today. The goal’s the thing. Pretty predictable. Just how you’ve been painting with the goal foremost in mind, and your intellect at the wheel.
Do people still take Sunday drives ? It used to be an adventure, in the days before gas prices skyrocketed. You’d jump in the car, and off you’d go with no destination in mind, , other than to discover what’s there you’ve never noticed before. . . a bird’s nest, a hidden beach, a shady path that beckons, an old horse leaning on a fence.
When you’d allowed yourself to follow all the prompts of your curiosity, you returned home refreshed, and often with a new lease on life.
You could use this model of the Sunday drive with your art. How ?
Don’t make art.Â
That’s right, don’t make art.
Put aside your usual routine. Get a-hold of some cheap paper or a recycled canvas. Most importantly, forget about any goal or preconceived image. Put the idea of an end product right out of your mind. Â
Isn’t that hard to do ?
Here’s a secret. . . It is hard to do, but only at first. It’s only getting started that’s different. But once you’re started, you’ll be surprised at how much fun it is. Because you’re not directing the action with your eyes and mind.
Get Lost.Â
Let your paintbrush, chalk or pencil take you on a Sunday drive. Relinquish all control over to your heart. Be a back seat observer.
Suspend all judgment. For a l-o-n-g time, and even afterwards. Possibly forever. Â
This is not you illustrating a Sunday drive ! ! !
Instead of focusing on achieving a finished product, keep your mind out of gear. The mind is out of its depth in understanding the unknown. It simply can’t do it.
So, give your mind a job, then it won’t feel antsy. Like you’d give your kids in the back seat a puzzle while you were driving. Your mind’s job is to be a neutral observer. Your hand and heart will direct the show.
* Let your mind be willing to be surprised by what colours your heart chooses today. You may stumble into colours that clash, or colours you hate may insist on being there. Who knows they might find new friends alongside colours you prefer.
* If you normally work fast, try slowing down to a snail’s pace for awhile. If you usually work rather slowly, try speeding up beyond your usual comfort level. Push and pull your pace boundaries.
* If you prefer your right hand, let your left hand have a turn. And, once your non-dominant hand is into the action, dare to let both hands have a go together ! Break all the rules of propriety.
Along the way, you might notice a process which is new for you. You might find you rather enjoy a new colour palette or texture. There might be a feel to the overall rhythm which embodies your individuality in a unique way.
When you’re all spent, all done, keep judgment suspended, and make no conclusions. Not yet. Then —
Try holding it up to a mirror, up close and at a distance.
Upside down and sideways.
Keep witnessing.
Tack it up at the end of a long hall, or in a narrow hall so you have to brush your nose on it to pass.
Show it to your dog or cat.
But above all — DON’T THROW IT AWAY ! You’re not done with it yet.
If you’ve managed to keep your ego mind out of the process this far, please congratulate yourself !
The next day or week or month, you could be surprised at what memories come up from your Sunday drive. What connections are there which you didn’t know you’d be looking for ?
And what you might discover, hidden there, possibly, might be a gentle little sign from deep within your heart. If you decide to discard the whole thing, you’ll squash this tender thing flat as a bug.
Sheltering a newly emerging facet of yourself is delicate, tender work, like nurturing a newly hatched egg.
The process of pushing boundaries challenges your sense of safety. It opens doors that have been shut on facets of your real self for a long time. It’s like pulling off bandaids, or scabs to let the air into old wounds, and let them heal cleanly.
 Patiently allow yourself to trust your heart, that step by step you can heal, and become even realer, wiser, deeper as you continue on your path of creative exploration.
Is it art ?
Could be it is, but chances are it won’t be “art”. But then remember that wasn’t your goal.
Could be it’s very beautiful too.
It is what it is.
SO WHAT IS IT ?
A record of a personal journey you undertook, a process you experienced, that one time.
Depending on how well you managed to turn over controls to your hands and heart, this could be a precious, one time only record. You might be tempted to “fix” it later, to change the end result, in the light of your very particular intellect/ego.
Or, you might decide to honour your tender, tentative venture. I hope you will honour it, whatever you do.Â
You can always put away your Sunday car and drive to work on Monday as usual. If you want the comfort of safety, and sameness. And no one needs to know what you did in that stolen hour. No one needs be any the wiser.
Except, you are wiser. You’ll have observed some things about your deeper self, and you can’t give it back.
Instead of judging it, accept it, appreciate it, run with it, enjoy it.
It’s you in all your perfection.
And I’ll bet you anything, it isn’t humdrum.
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Liked the article ? Disturbed by it ? Drop me a line.
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Celeste Varley
“Oh ! for a horse with wings.” Shakespeare
Let our hearts sing and take flight !
http://www.heartsongstudio.com
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 No commentsWhat if I have no talent ?
Fresh Horses -
Do you believe that talent is something you’re either born with or not ? Check out this article, as it shows you’re already half right.Â
“What if I have no talent?”
What is talent, anyway ?
Is it something you’re born with . . . or not ? One dictionary says: “A mental or physical aptitude; specific natural or acquired ability….”
A friend told me recently :”I learned to be so embarrassed by my efforts to draw or paint when young that I stopped doing it long ago.”
Another wrote :”There is so much fear that comes up for me at the thought of making art , because I had absolutely no art education at all.”
Yet another said : “Whenever we had art at school, the teacher told me to do embroidery instead.”
My first reaction was — That’s criminal !
Do you know anybody who didn’t acquire the natural ability (talent) to speak ?
Image making is as natural a human activity as speaking.
Think of prehistoric cave paintings, as fresh and lively as any drawings today. Image making and speech are both necessities to communicate with the world. Both are ways to touch, explore, and create the world.
Both verbal and visual language develop very early in life. Just as verbal language is a generic function of the human brain, so is visual thinking an organic function. All normally functioning people, having once learned to speak, go on speaking the rest of their lives. Yet, very few people continue making images.
—What happened to so many people ?
It seems one factor must be how we’ve been taught to make images as children ; to be embarrassed for not “measuring up”. (Measuring up to what ? According to who’s measure ?) In cases where we have learned to be inept and robbed of our own visual expressions, is it any wonder that we simply stop doing it at all ?
Only our dreaming minds keep making images all our lives, though we erase them on awakening.
You may be surprised to know that even “educated” and successful artists have varying amounts of fear about such things as: What is the purpose of art ? Where do you begin ? How do I know if it’s good enough ? Does this look like anything ? How can I paint like Monet ? Will anyone want to look at this ? What is my style ? What should I do next ?
—The good news is that these losses can be regained . These talents are only dormant.
Though many of us have been deprived of a significant and natural means of expression to some degree, there is hope.
—Keys to reclaiming your natural visual expression:
First, be grateful for having listened to your heart’s longing, even to have read this far, and in many cases to be already involved in some form of image making in spite of your beliefs about lacking talent. We have such fears.
Your heart is your connection to regaining your lost birthright. Above anyone else’s knowledge, your heart knows best what your visual language talents are. Learn to trust it.
* Play. Try this : Combine stuff — any stuff such as torn paper, scraps of wood, bits of cloth or string. Drop all your expectations of making any particular thing. Once upon a time, when we were very young, every moment of our day was filled with novel events and combinations of things. We toyed, we played, we broke things, we put things in irreverent places.
If we have lost our ability to play, we have lost the cutting edge of our creativity. So, when it’s safe, and there aren’t any other adults around, play !
Getting to the heart of the matter:Our thinking minds are enormously powerful; a great gift, but a double-edged sword. The mind tends to overshadow the heart so much that it may take time to develop a relationship with your heart.
Our thinking minds are enormously powerful; a great gift, but a double-edged sword. The mind tends to overshadow the heart so much that it may take time to develop a relationship with your heart.
Letting go our hold on beliefs, expectations, and preoccupation with the end product is difficult to do alone, without a safe, supportive environment. In order to leap a chasm, you need to know that it’s perfectly safe, but leap you must if you are to discover what seems to be missing.
Liked the article ? Hated it ? Questions ?
Celeste Varley
“Oh ! for a horse with wings.” Shakespeare
Let our hearts sing and take flight !
http://www.heartsongstudio.com